Umphrey’s McGee and TAUK ended their match made in heaven tour over the weekend, as both bands (who have spent a lot of time on the road together the last few months) will go their separate ways with the summer festival season around the corner. On Saturday night, at Dallas, TX’s House of Blues, Umphrey’s invited TAUK guitarist Matt Jalbert, bassist Charlie Dolan, keyboardist A.C. Carter, and birthday boy drummer Isaac Teel to the stage for a super groovy, funked out version of “Booth Love.” Watch UM’s pro-shot footage of the song below:Teel rejoined the band during the encore for a “Drums” solo that led into “All In Time” to end the show. You can find full show audio here.As both bands gear up for a busy summer, Umphrey’s will get back into the swing of things this weekend with a pair of shows at Minneapolis, MN venue First Avenue. Keep an eye out for the Prince bustouts in the Purple One’s hometown. TAUK will be joining Twiddle at Port Chester, NY’s The Capitol Theatre on Saturday, May 7th. More information about that show can be found here.Setlist: Umphrey’s McGee at House of Blues, Dallas, TX – 4/23/16Set 1: Lucid State > Get In The Van, All In Time > Walletsworth, Gone for Good, Uncle Wally, Utopian Fir -> Walk the Proud Land > Booth LoveSet 2: Bridgeless -> 2×2, Mulche’s Odyssey, Kashmir, August -> Final Word > August > BridgelessEncore: Drums > All In Time with Brendan and Jake on acoustics with Sabbath Bloody Sabbath (Black Sabbath) jam with Low Rider (War) teases with Alric Carter on keyboards, Charlie Dolan and Isaac Teel on percussion, and Matt Jalbert on guitar with Mind Left Body (Kanter/Garcia) jam with Isaac Teel on percussion
I’ve read that a tree will mature much quicker from a twig or a cutting than from a seed. You can propagate something new and even stronger than the original – not unlike how a Baby Groot can grow up to save Star Lord’s team.But, I’m not a horticulturist or even a comic book aficionado. What I am is Dell’s chief blogger and today I’m excited to officially welcome you to Direct2DellEMC.This blog builds on the legacy of Dell’s first blog, Direct2Dell, and merges the strength of content from three other blogs: EMC Pulse, EMC Reflections and Dell4Enterprise. That’s what got me thinking about growing something new from more than a seed, as well as a certain extraterrestrial, sentient tree-like creature.Like blending Dell’s go-to-market strength with small business and mid-market customers, and EMC’s strength with large enterprises, makes Dell EMC a market leader in many of the most important areas of the information technology market, bringing these three blogs together will make it easier for our readers to find the information they need, and to discover more that we have to offer.Here, subject matter experts will share how we enable organizations to modernize, automate and transform their data center using industry-leading converged infrastructure, servers, storage and data protection technologies.In fact, it’s already begun. We actually brought the new site to life before today’s official launch in order to work out any kinks and at least one high-profile online influencer has already begun sharing our posts:“One-Two Punch Drives Midrange Storage Momentum @DellEMC https://t.co/zEawr5yn6r“— Michael Dell (@MichaelDell) May 2, 2017ShareJust as the launch of Direct2Dell more than 10 years ago signaled that we were committed to hosting unfiltered conversations on topics of interest to our customers, the official launch of Direct2DellEMC is our invitation for you to connect directly with us.And I commit to do my best as Dell’s chief blogger to bring you interesting, unique news, stories and discussions on both Direct2Dell and Direct2DellEMC.I’ll leave the tree growing to our friends at The Conversation Fund.
Breakout performances rarely come as high-voltage as Jenna Augen’s turn in Bad Jews, the Joshua Harmon play that is transferring to the Arts Theatre starting March 18 after previous runs both at the St. James Theatre and out of town in Bath. Inheriting Tracee Chimo’s New York role, Augen puts her own spiky, sparky spin on the religious Daphna, who comes to grief with her assimilationist cousin Liam (Ilan Goodman) over the fate of a family heirloom. The immediately warm Augen chatted to Broadway.com on the eve both of the play’s West End upgrade and of turning 30 about defending a tricky character, making it overseas, and being ready for whatever happens. You have a base in L.A.—is this third run of Bad Jews making you reassess where you want to focus your career? Now it just seems as if there are many more possibilities in terms of staying here. When I left almost two years ago now, my prospects here felt very limited but now it looks as if there are options. I do have a life out in L.A. now and would love somehow to get a proper career going there as well as here, so I’m not sure how that bridge is going to be built. Daphna is such a high-octane presence. Is it hard to leave her behind every night? I do find it difficult to shed her skin because her rhythms are so total. She’s so aggressive and her energy level is at such a high voltage that I have a really hard time coming down off it; I get completely exhausted. The last couple of weeks at the St. James we had 9-show weeks so two days of back-to-back shows. At the end of those, I didn’t know which end was up! [Laughs.] You and Ilan Goodman are so well-matched that the play’s various debates deliver big-time. Well, Ilan’s amazing, without which I wouldn’t be able to do what I do, but also the writing for the two characters is so perfectly paralleled and Liam’s rant has exactly the same thought patterns as Daphna’s; they’re on one wavelength, [but] the two sides of a single coin. And while they dislike each other and tick each other off, they on some level enjoy having that other person kicking off in the room: you’ve got to have some enjoyment in what they do on stage. Daphna is so quick-witted, yet volatile. Do you enjoy playing such a vibrant character? I wasn’t ready to say goodbye to her at the St. James; I think we were all finding things every single week. It only really hit me towards the end of the run just how strong her sense of injustice is about the fact that her cousin Liam has really stolen the chai [the Hebraic heirloom belonging to their late grandfather]. It was taken off this elderly man who was lying comatose in the hospital, so no wonder it remains a hot-button issue when Daphna and Liam meet. The title of the play is an eye-opener with its suggestion that there are different kinds of Jews. Do you relate to that thematic? Well, my mother is a non-Jewish opera singer so I’m the product of the kind of situation that Liam has in the play with Melody [his non-Jewish girlfriend, who studied opera]. My dad is Jewish: he’s a molecular biologist and also genuine supporter and appreciator of the arts, and I’ve always felt very lucky to be my parents’ daughter. But there are spooky coincidences between my own life and what is in the script. When I first read it, I went, “Whoa, this is strange!” So you’re open to whatever happens? I am—I have to go where the wind takes me. You never know what’s next in this business but for now I’m just so glad to be having this job, and doing this play, for the third time. Did you see the play during either of its two off-Broadway runs? I hadn’t, but I’d heard such wonderful things about it, and the original Liam [Michael Zegen] from the New York production happened to be in London and he came to see us, which was nice; it was really exciting to feel as if we were part of this trans-Atlantic team. You’re the only American in the four-person cast. Does that feel weird? Not at all. I went to [the Royal Academy of Dramatic Art] here and was often the only American being British in plays, so the fact of being the odd person out doesn’t feel strange to me. What’s good, I think, is that the accents in our show are pretty great and because I’m there, if anybody has a question about anything, they can just ask. The Arts Theatre marks your third run of Bad Jews—how does that feel? I’m so lucky. I was so happy to get this job in the first place. It was a long shot because I had been out of the country for a couple of years so it was just really nice to get the job. Then to be so well-received in Bath—where there are no Jewish people [laughs]—and at the St. James was incredibly exciting. I started crying when [co-star] Ilan [Goodman] came and told me this transfer was a possibility. As long as your American accent hasn’t been too tempered by time abroad! I know, right? We had a great dialect coach who caught me up on some stuff and here I was thinking, “Wait a minute, I’m from Connecticut,” and he said, “No, you’ve got a few Canadian sounds in your speech”—that’s what I get for spending so much time in England [laughs]. View Comments
BCM Property Home liftout. The $75 million Canopy Bardon project by Pradella Property Ventures. Managing director David Pradella.More from newsMould, age, not enough to stop 17 bidders fighting for this homeless than 1 hour agoBuyers ‘crazy’ not to take govt freebies, says 28-yr-old investorless than 1 hour agoBRISBANE developer David Pradella must have a pretty sweet retirement plan, with three apartments in one building alone able to earn him over $3,000 a week.His management company has just put his three bedroom 135sq m unit at Flow Residences in West End on the rental market for $910 a week.The investment unit at 17/37 Duncan Street comes two months after his luxurious 280sq m riverfront penthouse in the same complex (apartment 40) went up for rent at $1390 a week. He had apartment 19 looking for a tenant in the $875 a week mark in December last year.That’s net $150,000 a year off those three apartments which are just a taste of his property magic. The development whiz has a dozen properties in Brisbane alone, according to CoreLogic.