COMMUNITY ALERT: Thieves have been behind a spate of robberies in the Downings, Carrigart and Glen areas of County Donegal.Residents affected by the thieves want to warn others that a gang is operating in the area.“It’s too late for me, but perhaps it might prevent someone else being robbed,” said one resident. Copper piping and cylinders as well as oil has been taken from a number of premises.A 1978 Mark 2 Ford Escort was stolen from a shed in Carrigart.It is an Australian import which was origanally white but painted a dull land rover green, has a petrol filler cap on the back panel (very distinctive)A reward has been offered for any information leading to whereabouts of the car. If you have seen the car please contact the owner on 0879137301 COMMUNITY ALERT: THIEVES OPERATING IN THE CARRIGART, DOWNINGS AND GLEN AREAS – VINTAGE CAR TAKEN was last modified: January 21st, 2014 by John2Share this:Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on Reddit (Opens in new window)Click to share on Pocket (Opens in new window)Click to share on Telegram (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to share on Skype (Opens in new window)Click to print (Opens in new window) Tags:Carrigartcommunity alertDowningsFord Escortglenthieves
Chelsea manager Jose Mourinho described matchwinner Nemanja Matic as a “monster” after the midfielder’s majestic display in the 1-0 Champions League win over Sporting Lisbon.Matic’s grabbed the only goal in impressive away victory – the margin of which would have been much greater had the Blues been more clinical in attack.But the Serbian’s all-round quality shone throughout a vital away victory.“Matic is a monster,” said Mourinho, who also praised Sporting goalkeeper Rui Patricio.“I am not happy we did not score another goal but the biggest reason for that was not my players but the Sporting goalkeeper.“The most difficult thing is to play like we play since the beginning of the season,” Mourinho added in praising his side’s level of performance.“Against Aston Villa and Bolton we did not kill the game. Today it was difficult to kill the game but the reality is that we played so well, so compact and so confident – with so much control.“The four defenders plus Matic and Cesc Fabregas had compete dominance in the game.”More reaction to follow.See also:Matic gives Chelsea victory in LisbonSporting v Chelsea player ratingsFollow West London Sport on TwitterFind us on Facebook
[vemba-video id=”van/sc/2019/05/23/bang_dcd6ba7f-a0db-4361-abd6-7da3377642f9″]OAKLAND — DeMarcus Cousins signed with the Warriors this season to rehab from an Achilles tendon injury and get his first career taste of the playoffs.He completed Job 1, but his postseason experience lasted just 25 minutes over two games before he tore a quadriceps muscle in his left leg against the Los Angeles Clippers on April 15.Now Cousins is close to being ready to return to action, just in time for the NBA …
Even though some people are seriouslyasking this question today, the answer is obviously a resounding “no.” There can be no doubt that The Lost Symbol, Dan Brown’s sequel to the immensely popular Da Vinci Code, will sell extremely well on the Kindle and may easily turn out to be the bestselling fiction title on the Kindle of all time. The fact that the Kindle edition is currently outselling the hardcover edition on Amazon hints at some of the advantages eBooks have over regular books, but there can be no doubt that the paper editions of The Lost Symbol will easily outsell the eBook version.Instant Delivery vs. Pre-OrdersIt’s almost ludicrous to argue that the eBook edition of The Lost Symbol could outsell the hardcover edition. Yes, the eBook version is currently outselling the hardcover version on Amazon. However, with 5 million copies of the hardcover version printed for the U.S. market alone, these numbers simply won’t hold, especially because this is a book that will draw in a lot of readers who don’t usually pick up hardcover books and don’t usually buy books from Amazon but pick them up at their local Barnes & Noble, airport bookstore, or grocery store. It’s also worth noting that Amazon had been accepting pre-orders for the book for months – indeed, the pre-orders kept The Lost Symbol in Amazon’s Top 100 for the last 150 days. If you own a Kindle, however, you don’t need to pre-order the book as it’s immediately delivered to your device anyway. Chances are that there was simply a lot of demand for the Kindle version today and most of Dan Brown’s fans without a Kindle had already ordered theirs or planned to pick a copy up at a brick-and-mortar bookstore.A Symbol of Things to Come?That said, though, the fact that the eBook version is doing so well shows that eReaders and eBooks are on the right track. The real killer feature, here, is the instant delivery that eBooks can offer and the cheaper price (which Amazon currently subsidizes). Sure, you could leave the house and actually walk or drive to a local bookstore, but you could also get it delivered to your eReader within seconds and without ever having to get out of your pajamas. It would also be interesting to see how many of these copies end up on iPhones, but Amazon doesn’t publish these numbers.We did, however, get some interesting data from ShortCovers, a small but interesting eBook vendor who sells books in the ePub format and offers a number of mobile apps as well. For ShortCovers, the release of The Lost Symbol meant a 2x increase in sales yesterday and the book sold more copies in one day than the Twilight series did in the last 2 months.The demand for eBooks is picking up and is starting to reach a mainstream audience. Once the new eReaders from Plastic Logic, iRex, Asus, Sony and others become available in the next few months, the increased competition will surely drive prices for eReaders down and adoption rates up – unless, of course, Steve Jobs’ prediction that nobody wants a single-purpose eReader device turns out to be right. Related Posts Tags:#E-Books#news#web Top Reasons to Go With Managed WordPress Hosting 8 Best WordPress Hosting Solutions on the Market A Web Developer’s New Best Friend is the AI Wai… Why Tech Companies Need Simpler Terms of Servic… frederic lardinois
We sat down with three women from the filmmaking industry to talk about their own experiences and the larger conversation about women in the film industry.We conducted a roundtable with three working professionals: documentary filmmaker Crystal Kayiza, director of photography Kristy Tully, and editor Carla Gutierrez. The result is a candid and informative peek into their world as women of different ages and races working in the film industry.A still from Edgecombe by Crystal Kayiza, an official selection of the Shorts Programs at the 2019 Sundance Film Festival. Courtesy of Sundance Institute | photo by Pete Quandt.PremiumBeat: Crystal, your short documentary, Edgecombe, was a nominee for Short Film Grand Jury Prize at the 2019 Sundance Film Festival. It won the Gold Plaque at the Chicago International Film Festival. Clearly, it is beautifully realized and well received — what was the path for you in getting it made? Did you find any resistance because of your gender, race, or youth?Crystal Kayiza: I was very fortunate to have a great support network, while making Edgecombe. I was a Woman Filmmaker Fellow at the Jacob Burns Film Center, and the project was produced through the Creative Culture program there. If anything, I think my own internalized issue with the film industry, in relation to my gender and race, was an obstacle. Even with a supportive environment, it becomes easy to second-guess your creative decisions.I was very lucky to have this project be supported by the Sundance Ignite Fellowship and Adobe. Even applying for that fellowship felt like a huge step, and something that I didn’t deserve. For most of my film education, I wasn’t exposed to a lot of non-fiction female filmmakers — which is wild to think about today. My experience taught me that a lot of the craft was about being a technician, and those roles — cinematographer, gaffer, sound ops, editor, colorist — were for men who were supporting the vision of male directors. I’ve had a very privileged experience, in that, I’ve had mentors and programs to affirm, and support me, along the way.PB: We know so much of history is written about men by men. Kristy, you were cinematographer for Raise Hell: The Life and Times of Molly Ivins, and Carla, you edited RBG. Both subjects were larger than life women, and the directors were women. How important is it for women to champion documentaries about women driven by women, and what has been your experience with audiences for the film?Editor Carla Gutierrez: I think it’s super important. What inspired RBG was that most people didn’t know about Justice Ginsburg’s role, in fighting for gender equality in the law, in the 70s. I was, like many, a fan of RBG, the judge, but I had no idea how crucial she was to my legal rights, as a woman. Her early work is super important in our history, and few people knew about it. So yes, to bring stories like this to the forefront is essential to complete the untold parts of our history — the stories on the margin. The stories of women.The most exciting has been to see different generations of women go to the theaters — together — to see the film. We heard of women who would take their mothers and daughters, or granddaughters, to watch the film. And, most come out surprised that they didn’t know this part of our history. It’s been really amazing.Kristy Tully: It just makes sense to me that women would be interested in other kick-ass women, and want to shine a light on their contribution. I had such a great time working with Janice, the director on this film. Molly Ivins is a huge inspiration, reminding us to speak truth to power, raise hell, and have fun while you’re doing it. Audiences have responded really well. It’s just so timely. What she was writing about 20 years ago is somehow even more relevant today. She was a journalist before twitter, and social media, and you just gotta wonder what she’d be adding to the discourse in this country, if she were alive today.We just won the audience award at SXSW, and we had a wonderful heartfelt response at Sundance. The film will go on to several more festivals across the country, starting next week, and I’m just really excited for people to get excited by the film, and inspired by this great Texan!Molly Ivins.PB: Do you think there is any validity to the female gaze? If the director, cinematographer, or editor is female, and the subject is also female, the object of the film takes on a different role?Carla: Yes, I strongly feel that there is validity to the female gaze. From picking the subject, to the focus of the story or narrative approach, our perspective as women informs every aspect of our storytelling. It offers, I think, more complete images of female subjects.For example, during post production on RBG, the directors conveyed early on how important it was to show Justice Ginsburg as an older woman, in present day. Not to only focus on her days as a young lawyer, but really show the splendor of her later years, visually, and return to those present moments, often. I think that conscious decision to focus on how much power and intellect a woman carries on her wrinkles, and how sexy that is, really came through in the way we approached the footage.Kristy: I think the female gaze is as real as the male gaze. I believe, however, that it is a choice the film makers make when deciding a film’s point of view, rather than if females or males are behind the camera.At the beginning of a project, you talk about the subject of the film, and then, more specifically, what the film is about. What is the camera visually saying, what is the camera’s prerogative, which can be different than what the film’s subject matter. I’ve been a part of the male gaze, and I’ve seen men contribute to the female gaze.Honestly, I’m not doing justice to the real conversation, here, about female gaze vs. male gaze. Is the female gaze simply the opposite of the male gaze — it is objectification of men on screen. Or, is there a female centric vision that is slowly making its way into our film culture, which would better represent the notion of the female gaze? But, that discussion is probably for another day 🙂Crystal: I think all visual storytellers need to be conscious of gaze. I think people who identify as women, who are directors, cinematographers, editors, designers, production assistants, or wherever you are on set, are sometimes pushed to move through spaces, differently, because of how we see gender on set, or in the field. I believe that the way that women do and don’t experience power, in film, changes our perspective. What’s stunning about this medium, particularly non-fiction storytelling, is the way that women are using that experience to challenge the ways we tell stories.Crystal Kayiza, director of Edgecombe, an official selection of the Shorts Programs at the 2019 Sundance Film Festival. Courtesy of Sundance Institute | photo by Andrea Gutierrez.PB: Gersha Phillips, costume designer for Star Trek: Discovery, had this to say after we suggested her designs were sexy, but not sexist. The women looked amazing, but unexploited. “Sexy means something different to every person you talk to, and I love working with that. My goal was to empower the female and male cast equally.”How often, when you work on a project, do you feel the female characters are as empowered as the men? And, in regard to the actor, are women given the same agency as men, in terms of being heard and respected?Crystal: In documentary film, I think a lot about how women are seen. There’s casting that happens in non-fiction storytelling as well, and it’s important to remain conscious of who is speaking on behalf of communities, and depending on the topic, who we see as experts within documentary projects. People, often times, engage with documentaries as a representation of a community. In our culture, many women aren’t believed when they say the same things as men, or aren’t seen, when they move through frames, the same way as men. As a director, I have to be conscious of that bias, and challenge those assumptions.Kristy: I’ve had the pleasure to work on two documentaries, recently, that are about empowered women getting attention right now. Feminists, What Are They Thinking (Netflix) and Raise Hell: The Life and Times of Molly Ivins (Sundance, SXSW 2019). I feel like there is a collective consciousness, right now, that’s interested in telling and seeing these stories.I, also, work as a sometimes camera operator on TV series. I worked on I Love Dick, which is basically a moving meditation on the female gaze; Transparent and Big Little Lies, which is dedicated to empowered women, both in front of, and behind, the camera. I also, recently, operated on Good Girls: Season 2. I filled in for a camera operator while she had a baby. Think about how rare of a sentence that is! The show is about empowered, accidental money laundering…..women. I think it speaks to the times that seem to be surrounded by woman centric projects, and also speaks to the effort that is actively working to cultivate female talent.I was given an opportunity to work on I Love Dick partly because of my documentary experience, and more importantly, because of Jill Solloway’s and Jim Frohna’s intent to cultivate female talent. I feel so fortunate to have been able to be a part of these projects. They are leading the way in this area.Carla: Well, as a documentary editor, we have the chance to write the story in collaboration with the director. There are already rich stories, in the footage, we are given to work with, and I’ve been lucky enough to work on many films about real-life, strong female characters. From the extraordinary singer Chavela Vargas, to the only professional female bullfighter in Spain, to a nun helping families find their disappeared relatives in the corrupt landscape of the US-Mexico drug war. I think there are more complex, diverse stories of empowered women in documentaries than you might find in fiction films. But, there could be a lot more.PB: We recently interviewed cinematographer, Carolina Costa, and asked how gender plays a role in the way she works, is respected, and heard. This is what she had to say:It’s definitely getting better. I can see big changes in the 15 years I have in our industry, but we still have a ways to go. It’s funny to answer this question today because, just two weeks ago, I was mentoring a young woman and was mentioning that my gender was a much bigger issue at the beginning of my career, than it is now. Cut to two days later, on the film I am shooting right now, and some technical crew that came with a crane were mansplaining to me how a crane worked — I was baffled. And this was to make an excuse, why they couldn’t execute with precision, the shot I had requested. A few days after, I was interviewing MOVI operators for the same job, and I can’t get off my mind the face of disgust that this one guy had, once he realized I was going to be his boss. That being said, both my producer and my director, who are males, were also shocked by the situation.Have you had similar experiences?Crystal: I’m fortunate to, mostly, work with people I trust. I’m not afraid to ask questions. Regardless of scale, there are so many moving parts to making a film, and posturing disrupts the creative process. In that sense, I’m lucky. I’ve seen, and been in situations, where one question turns into waiting for men to finish explaining something you know how to do. I’ve watched men ask questions and be seen as thoughtful and intelligent, and when women ask the same thing, they’re seen as unqualified. It’s the culture of how we communicate. It’s simple decisions like only hiring male PA’s because “they’ll get the job done,” but not a woman — the underlying assumption being that she’ll need more help. One piece of advice I got from a male producer was that it’s beneficial, for women who direct, to know the craft as well, or better, than men so that you can retain creative control of your work. But, that’s been my upbringing, in a lot of ways, as a black woman. Hearing that I need to be twice as good.Carla: I have had MANY instances of mansplaining. Other male editors “showing” me how to do a pretty basic shortcut on my edit system, as if they were showing me the world. Or a male assistant editor, talking over my head to the producers, about how to do the color correction for the film (he was totally wrong, by the way). I think that there is still a little ambivalence to hear from a woman about how to handle the technical aspects of an edit. I have worked with many amazing male directors, and I have the utmost respect for them. But, I sometimes have to wonder if my creative opinion is perceived with a little more resistance, because of my gender (or my thick accent). I don’t quite know if that’s correct. The edit room is such a delicate, creative space, that many factors are at play when you face a roadblock, or when magic happens.It is very encouraging to see so many women documentary editors in our community. And I think there is a real camaraderie among us. I consider many of them mentors, who’ve had a significant impact in my career, and my creative development. The one thing I would like to find out is if we are at the same salary level, as the men – based on similar experience, of course. That’s something I’m curious about.Kristy Tully.Kristy: I think a dialogue is important. I am cautious about framing these sorts of discussions, in ways that even might be construed of being answered from the place of “other,” because I don’t think it serves us. The truth is, there is bad behavior, sometimes, on set. I have stopped pathologizing the behavior, and instead, moved to surround myself with people that are collaborative, interested, and talented. In doing this, I think I have become available to some wonderful opportunities, to work with people who are amazing communicators and collaborators. Of course, there will continue to be bad behavior on set, and I invite women to stop questioning if their gender plays a role in it, and start wondering how to move away from negative energy, and encourage the kind of working environment that is enthusiastically creative.Jill Solloway is a wonderful example to mention here, as well. She strives to create a working environment that builds people up, and gives people room to grow. My first day on her set of I Love Dick was really surprising. I was used to the quick-witted, slightly inappropriate, banter I had become so fluent in (and good at).It was challenging to put aside my defense mechanisms, and become invested in being a part of a creative, supportive collective. I admire her for it, and I take that spirit with me to my other projects. I try to create an environment of respect, collaboration, and encouragement. It’s easy to be sarcastic and judgmental, on set. I’ve worked hard to put that easy go-to vocabulary aside, and work to be more communicative and positive in my problem solving, on set. That is a great discussion to have when thinking about this topic.Cover image via Kristy Tully.Looking for more industry interviews? Check these out.Industry Insights: The Blasting Company on Animation ScoringThe Editor of “Us” on Working with Jordan Peele and the Horror GenreIndustry Insights: Composing for Supergirl, Riverdale, and Nancy DrewIndustry Interview: Behind the Lens with Filmmaker Carolina CostaThe Costume Design Behind Star Trek, House of Cards, and Greek Wedding
Heavy rains in Gujarat has led to floods in several parts of the state in which two persons were killed while more than 200 people stranded in floods were rescued by NDRF, Air Force and other agencies.Moreover, over 6000 people from low lying areas have been shifted to safe locations by the state administration.“Extremely heavy rains in Saurashtra region since last 24 hours. All rivers in the region are swelling, necessitating rescue works,” Gujarat’s principal Secretary (revenue) Pankaj Kumar told The Hindu.According to him, two people died so far, one each in Rajkot and Amreli while more than 200 people stranded in floods were rescued by the agencies like NDRF, SDRF and Air Force.The state has already witnessed more than 52 per cent of thin season’s total rainfall so far.Responding to an early morning request by civil administration to rescue people fighting for life amidst flood waters, 01 MI-17V5 helicopter of the Indian Air Force took to the skies braving the extremely challenging weather conditions prevailing in the area.The helicopter was assigned the task of airlifting stranded people from three different villages in Limbdi, Sayla and Chotila Talukas of Surendranagar district of Gujarat whilst the NDRF personnel continued the rescue effort on ground.”Fortunately, the rescue teams were able to extricate most people out of danger before the Helicopter arrived,” said Defence PRO Abhishek Matiman. According to him, one person, however, stuck alone in a Dargaah in Untadi village in Limbdi Taluka was inaccessible for rescue teams on ground.In a well coordinated operation, the IAF helicopter was guided to the spot and the person winched to safety in the nick of time in a meticulously executed operation.The helicopter later returned to Ahmedabad airfield after an aerial recce of the area looking for people in need of aerial rescue. The IAF is maintaining suitably modified aircraft in a state of readiness to respond to any requisition for rescue by the state administration.The met department has given warning of heavy rains for next 48 hours in the state.
IBTimes VideoRelated VideosMore videos Play VideoPauseMute0:01/0:41Loaded: 0%0:01Progress: 0%Stream TypeLIVE-0:40?Playback Rate1xChaptersChaptersDescriptionsdescriptions off, selectedSubtitlessubtitles settings, opens subtitles settings dialogsubtitles off, selectedAudio Trackdefault, selectedFullscreenThis is a modal window.Beginning of dialog window. Escape will cancel and close the window.TextColorWhiteBlackRedGreenBlueYellowMagentaCyanTransparencyOpaqueSemi-TransparentBackgroundColorBlackWhiteRedGreenBlueYellowMagentaCyanTransparencyOpaqueSemi-TransparentTransparentWindowColorBlackWhiteRedGreenBlueYellowMagentaCyanTransparencyTransparentSemi-TransparentOpaqueFont Size50%75%100%125%150%175%200%300%400%Text Edge StyleNoneRaisedDepressedUniformDropshadowFont FamilyProportional Sans-SerifMonospace Sans-SerifProportional SerifMonospace SerifCasualScriptSmall CapsReset restore all settings to the default valuesDoneClose Modal DialogEnd of dialog window. COPY LINKAD Loading … The Government of West Bengal received an alert on Friday afternoon from the Central Government.Representational image | ReutersWest Bengal is on high alert after an Intel agency has warned of the possibility of terror attacks on the occasion of Buddha Purnima on Sunday, May 12. The warnings came ahead of the sixth phase of the Lok Sabha 2019 elections which is on Sunday. The alerts issued by the Intelligence Bureau (IB) states that a possible fidayeen attack might be carried out by Jamaat-ul-Mujahideen Bangladesh (JMB) or Islamic State (ISIS).Along with the warning, IB mentioned that the attacks might be carried out in Hindu or Buddhist temples by fidayeen, who could be impersonating as a pregnant lady in undivided Bengal – which includes India’s eastern state of West Bengal and Bangladesh.The Government of West Bengal received an alert on Friday afternoon from the Central Government. According to sources in the intel agency, the attack might take place in West Bengal or Bangladesh, reports Zee News.In the aftermath of the Sri Lanka attacks, Bengal should take precautionary measures to avoid the sort of unpleasant events that have unfolded in the neighbourhood.The West Bengal Police has reportedly beefed up security across the Hindu and Buddhist temples in and other parts of the state after receiving inputs from the Intel agency.On April 27, a Bengali poster was released by a pro-Islamic State Telegram channel which had these two words – “SHIGHROI ASCHHE [coming soon]”. International Business Times had reported the story on the given date. The poster was reportedly hugely circulated and also had the logo of a group named Al-Mursalat.Earlier, the National Thowheeth Jama’ath (NTJ) came under scanner for possibly carrying out Easter Sunday bombings in Sri Lanka. The NTJ had close links with the Jamaat-ul-Mujahideen India unit. Sri Lankan state minister of defence Ruwan Wijewardene had earlier said the Jamaat-ul-Mujahideen India (JMI), a unit of the Jamaat-ul-Mujahideen Bangladesh or JMB, may have had a role in Sunday’s bombings.However, there is very little information on JMI’s activities in India. But, there have been several reports that indicate its presence in India. In February, two members of the JMB were arrested from West Bengal’s Murshidabad district. Close United Nations declares Jaish-e-Mohammad chief Masood Azhar as a global terrorist https://data1.ibtimes.co.in/en/full/713577/united-nations-declares-jaish-e-mohammad-chief-masood-azhar-global-terrorist.jpgUnited Nations declares Jaish-e-Mohammad chief Masood Azhar as a global terroristIBTimes IN https://data1.ibtimes.co.in/en/full/713577/united-nations-declares-jaish-e-mohammad-chief-masood-azhar-global-terrorist.jpgUnited Nations declares Jaish-e-Mohammad chief Masood Azhar as a global terroristIBTimes IN
A pedestrian walks past a logo of ICICI Bank at its headquarters in Mumbai January 30, 2015.ReutersAlmost 36 hours after the Central Bureau of Investigation (CBI) conducted raids on the residence and office of NDTV’s Prannoy Roy and his wife Radhika in connection with a loss caused to ICICI Bank, the lender did not issue a statement. Both ICICI Bank and NDTV are listed entities.A statement sent to the bank’s PR agency did not result in a response.Read: Interesting facts about Prannoy Roy’s news channel NDTV, its journalists and more In a statement issued on Tuesday, the CBI said that the bank took a hit of Rs 48 crore as a result of reducing the interest rate on a Rs 375-crore loan extended to NDTV Executive Chairperson Prannoy Roy, his wife and director Radhika Roy and their company, RRPR Holdings Pvt Ltd.The loan was granted on October 14, 2008 and repaid on August 7, 2009.The CBI had explained the basis for carrying out the raid on the news channel’s promoters, which was described as an attack on the freedom of the press by some media outlets.”It is clarified that searches have been carried out at the premises of the promoters and their offices based on search warrants issued by the Competent Court. CBI has not conducted any search of registered office of NDTV, media studio, news room or premises connected with media operations.Here is the statement of the CBI issued on Tuesday:”CBI has registered the case based on the complaint of a share holder of ICICI bank and NDTV after carrying out due diligence.”It has been mentioned in the statement of NDTV that NDTV and its promoters have never defaulted on any loan. The allegations under investigation are not regarding the default in loan repayment; but relate to the wrongful gain of Rs 48 crore to the promoters – Dr. Prannoy Roy, Smt Radhika Roy, M/s RRPR Holdings Pvt Ltd and a corresponding wrongful loss to the ICICI bank arising from their collusion and criminal conspiracy.”It is alleged in the complaint that the promoters of NDTV – Dr. Prannoy Roy, Smt Radhika Roy and M/s RRPR Holdings Pvt Ltd, acting in criminal conspiracy with unknown officials of ICICI Bank, violated section 19(2) of the Banking Regulation Act, the Master Circular DBOD No. Dir B90/13.07.05/98-99 dated 28.08.1998 of the Reserve Bank of India and in furtherance of the conspiracy, ICICI bank took the entire shareholding of the promoters in NDTV(nearly 61 %) as collateral and then accepted prepayment of the loan by reducing the interest rate from 19 % p.a to nearly 9.5 % p.a and as a consequence thereof, causing a wrongful loss of Rs 48 crore to ICICI bank and a corresponding wrongful gain to the promoters of NDTV – Dr. Prannoy Roy, Smt Radhika Roy and M/s RRPR Holdings Pvt Ltd.” NDTV in its statement questions the jurisdiction of CBI by stating that ICICI is a private bank. It is clarified that the Honourable Supreme Court in the case of Ramesh Gelli vs CBI of 2016, held that the provisions of Prevention of Corruption Act, 1988 are applicable to the officials of private banks.”